The Genealogies of Modernity Journal

Philosophy & Religion Emre Keser Philosophy & Religion Emre Keser

Monstrosity and Modernity

Monsters show that our critiques should target not only the process that turned nature into a mute object at the disposal of the human, but also the correlative process that reduced divine and supernatural forces to superstitions of the past.

Emre Keser on monsters and history

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Philosophy & Religion Julian Sieber Philosophy & Religion Julian Sieber

When the Macedonian Man Became Massachusett: Seals, Native Americans, and the Bible in the Construction of Modernity, Part II

The seal of the Massachusetts Bay Colony is filled with the paradoxes and tensions that are required to define and depict modernity: Latin encircling King James English, the indigenous name Massachusetts subsumed by Nova Anglia, and the Native man always simultaneously noble and savage, inviting and threatening.

Julian Sieber on colonial modernity

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Philosophy & Religion Julian Sieber Philosophy & Religion Julian Sieber

When the Macedonian Man Became Massachusett: Seals, Native Americans, and the Bible in the Construction of Modernity, Part I

The Massachusetts Bay Colony Seal is in and of itself a rather compact genealogy of modernity. The image is a discursive moment that actively constructs a sense of what it means to be modern, and it neatly highlights several important phenomena that cohere to underpin Western colonial modernity: seals/logos, the Bible, and the construction of “the Indian.”

Julian Sieber on colonial modernity

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Julia Powell Julia Powell

The Great Chain of Being, Part II

One path by which we might regain our sense of place in the universe lies in the way of modern evolutionary theory. The theory of evolution not only explains phenomena that the great chain of being couldn’t account for, but also has provided us with a new model by which we might orient ourselves in the world.

Julia Powell’s genealogy of the Great Chain of Being

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Arthur Aghajanian Arthur Aghajanian

Recovering Christian Visual Literacy, Part I

Where in the past, challenges for both artists and churches included scarcity, durability, and doctrinal clarity, today’s churches are challenged by excess, novelty, distraction, and the difficulty of sustaining contemplation. How does a sacred image rise above the noise? How can it function as an enduring, spiritually formative encounter as opposed to fleeting visual content?

Arthur Aghajanian on Christian visual culture

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