The Genealogies of Modernity Journal
Two New Studies of Owen Barfield
Mateusz Stróżyński on Owen Barfield, whose philosophy and poetry are “indispensable… for those who want to go beyond the present spiritual and cultural crisis.”
Hit Man and Modern Humans
Murder is a real conundrum for modern humans. Officially, we are against it.
Elizabeth Stice on the violence at the heart of modern life
Sacrificing Our Youth
Despite the arrogance of modern thinkers and the mountains of data tech companies collect about us, they still fail to know us deeply.
Charles R. Martelle offer a principal’s view on a modern crisis of attention
Abundance and Loss in Cheever and Porter: Part II
“I was right not to be afraid of any thief but myself, who will end by leaving me nothing.”
Ayman Hareez Muhammad Adib on the modern subject’s self-theft
Abundance and Loss in Cheever and Porter: Part I
On his journey home, Merrill adapts to the conventions of the upper-class in hopes of carving his own place within it.
Ayman Hareez Muhammad Adib on an eight-mile journey through backyard swimming pools
“My Fingers are like Cauliflowers:” the Material Productions of the Hogarth Press
On Virginia Woolf’s thirty-third birthday, she and Leonard Woolf made three significant decisions over tea: they would purchase a house in Richmond, acquire a bulldog named John, and buy a printing press.
Reanna Brooks on The Hogarth Press
The Roots of Eugenics and the Hope of Dignity
Either humanity, and thus each and every human, has dignity in its current state, or it, and by extension we, can never claim to have, or give, dignity.
John P. Slattery offers a genealogy of eugenics
Somebody Loves Us All: Hemingway and the Via Crucis
For all its parallels to Christ’s passion, The Old Man and the Sea is no allegory but something deeper, a tale which reveals how suffering may be spun into wisdom.
Daniel Fitzpatrick on Paschal elements in Hemingway
Uncomfortable Truths about Our Times: Beef & Notes from the Underground, Part II
Though Beef does not end with a “born again” moment, it points us to the hunger for one.
Elizabeth Stice on two artistic windows into ourselves and our times
Uncomfortable Truths about Our Times: Beef & Notes from the Underground, Part I
Beef draws attention to the hamster wheel of our America today.
Elizabeth Stice on two artistic windows into ourselves and our times
A “Mei Lan Fang aestheticism:” Marianne Moore and the Famous Chinese Dan Performer
Like many of her contemporaries, Marianne Moore became fascinated by all things Chinese as a young adult and sought to incorporate Chinese imagery, ideals, and philosophy into her own work.
Xiamara Hohman on Mei Lanfang’s effect on Marianne Moore
On Dentistry: a Mouthful of Memento Mori
Every spoken word was a pilgrim, in some sense, passing through the valley of the shadow of death.
Lauren Spohn ponders death from the dentist’s chair
Three Critiques of Secularism
Is it possible to critique secularism in a thoroughly secular age?
Ali Harfouch on alienation and the sublime
Rebellious Space and Radical Movement: The Dil Pickle Club of Tooker Alley
Entering the Pickle was also an unusual experience… a fact that the inscription “Step high, speak low, and leave your dignity behind” emblazoned on its front door… cheekily acknowledged.
Elysia Balavage on a bohemian pillar of the Chicago Renaissance
Against the “Reversal of History” Thesis
McLuhan sees our modern, technologically induced condition as a product of tensions between individualism and tribalism.
Éamon Brennan contests a standard reading of Marshall McLuhan
Uncorking Some Scruton
Scruton, looking at our days “sub specie aeternitatis,” even thinks that this time of decay gives us an opportunity to work on the behalf of religion, morality, and culture that “no previous generation has been granted, and which no future generation may desire.”
Julian Kwasniewski reviews Against the Tide
Stained Glass: The Aims of Education at the University of Chicago
[T]rue liberal education aims at a holistic understanding of truth, a universal knowledge in which, as Saint John Henry Newman puts it, all branches of learning connect.
Kate Whitaker on her liberal arts education