Pier Paolo Pasolini’s film The Gospel According to St. Matthew presented Jesus in a uniquely modern way. Pasolini was an atheist, and his film didn’t glorify or sentimentalize the story of Jesus.

Arthur Aghajanian and Michael Marciel in conversation

If we are open to other readings of this multi-layered love story, we can discover new elements of what it means to “fall into faith as one falls in love.”

Casie Dodd assesses a second film version of Graham Greene’s The End of the Affair

Each month we keep track of the different paths modern life is taking and how writers are keeping up. Here are some routes we found in November on our modern life.

Christopher Nygren’s aim is to recast Titian’s oeuvre by focusing on a series of deeply religious paintings and to make the reader consider the artist’s career and legacy anew.

Catherine Powell-Warren reviews Titian’s Icons

Only a dialectical approach between the Enlightenment and Christianity is capable of grasping the historical dynamics of the emergence of human rights within the European context.

Sharon Kuruvilla reviews Hans Joas’s The Sacredness of the Person

Adapting the Greene’s “The End of the Affair,” these films show the many ways conversion can play out in a modern culture often inhospitable to the human capacity for faith.

Casie Dodd on religious conversions in movies that happen to mention Catholicism

They may yet “return to tradition,” as it were—even in a land so detraditionalizing and antithetical to objective truth as the marketplace or the digital borderlands.

Esmé Partridge on truth from Plato to al-Fārābī to Twitter

We live in the age of technological magic, not supernatural grace and miracle. Not so fast, says Alexander Theroux.

Jeffrey Wald reviews Alexander Theroux’s Early Stories and finds a little grace

Dorothea Veit-Schlegel shared some commitments with male Romantics, but she critiqued many of their central ideas, especially in relation to gender, education, and personal development.

Anna Ezekiel recovers an essential Romantic thinker and writer

Each month we keep track of the different paths modern life is taking and how writers are keeping up. Here are some routes we found in October on our modern life.

This sense of repetition—of just how persistent the titular state of “crisis” in the humanities has been—gives one pause. It is in the space of this pause that their criticisms may land with force.

Jonathan Heaps reviews Permanent Crisis

Truman’s decision was an inevitably flawed human attempt to come to grips with a wicked problem, in the absence of perfect knowledge and in the full knowledge that the stakes were world-historical in significance.

Andrew Latham on counterfactuals and the atom bomb

Counterfactual history allows us to sharpen our judgment by juxtaposing what did happen with what could have happened.

Andrew Latham on thinking through counterfactuals and the bombing of Hiroshima

The protagonists of “Beautiful World” are no longer confessional, but resigned. Their attitudes towards politics and religion alike are structured by ambivalence.

Kathy Chow reviews Sally Rooney’s latest meditation on modern life

Gatsby believes in the future. He trusts in that future where the past will be present again. It is the present that escapes him, and so he falls from the glory he has gathered to himself.

Daniel Fitzpatrick on having all the money and none of the time

Each month we keep track of the different paths modern life is taking and how writers are keeping up. Here are some routes we found in September on our modern life.

Bypassing the quadrille of courtship, Joukovsky repurposes the marriage plot as a witty, unsparing dissection of human vanity and a quasi-sociological look at the mores of America’s de facto aristocracy.

Trevor Merrill reviews A. Natasha Joukovsky’s sparkling, multifaceted debut novel, The Portrait of a Mirror

There are many roads to modern liberty, but some focus not on the triumphant will but on the richness of the person and our commitments to one another.

Fred Bauer on an off-liberalism marked by care, duty, and solidarity rather than autonomy

Despite their imperfections, mystical texts are worth keeping alive in modernity—particularly in periods of authoritarianisms and violence—because they offer glimpses of other possibilities.

Brenna Moore on the life and work of a great figure of the Ressourcement

The word “artifice” means handiwork, work of skill. Artificial intelligence is a wondrous work. And yet, if we allow that artifice to define our reality… we may become artifices ourselves, handiwork of our handiworks.

John Dolan and Jordan Wales on AI and us